The songs and instruction on this website are samples and exerpts from Harmonica Lessons.com. Our "Harmonica Playing Overview" section is an introductory primer on the two most important types of harmonicas, which harmonica to get, and the 1st and 2nd playing positions.
Dave explains the value of not just learning a scale up and down, but dividing it into smaller "bite-size" chunks, which can then be used as blues riffs.
Here are Dave Gage's sons, Brody and Alex, now called the Brothers Gage, back when they were 10 and 12 year old kids. This video shot in 2015, is an unedited take playing an improvised blues and country based jam and having a bunch of fun.
One plays rhythm beatbox harmonica while the other takes a solo. They are both playing a standard key of "C" 10-hole diatonic in 2nd Position (which is also known as "Crossharp"). They both learned to play harmonica around age 5 and now also sing, play guitar, bass, drums, and keyboards. The key to getting good is consistency. They still practice every single day.
2nd Position or "Cross Harp"- These two terms mean precisely the same thing. We tend to use the more modern term "2nd Position" here, but both are correct and interchangeable. Most beginners will start with simple blues riffs played in the 2nd Position.
Players who primarily use 2nd Position- include James Cotton, Sonny Boy Williamson (both I and II), Mick Jagger (Rolling Stones), Little Walter, Paul Butterfield, Mickey Raphael (Willie Nelson Band), John Popper, Charlie Musselwhite, Huey Lewis, Sonny Terry, Norton Buffalo, Steven Tyler (Aerosmith), Magic Dick (J. Geils Band), and many others.
For blues, use 2nd Position- If you want to play to blues, rock, or country based music, your first choice would not be the 1st Position (or "Straight Harp") style of playing. You will want to use the 2nd Position style of playing.
2nd Position emphasizes draw notes at the low end- If you want to jam to a song while playing 2nd Position, you must primarily, but not exclusively, play the draw (inhale) notes at the low end of the harmonica (holes 1 through 5 draw). Resolution to the key of music can be found at hole 3 blow (and later on, also at holes 2 draw and 6 blow).
The big advantage to 2nd Position is the bending- The advantage of the 2nd Position style of playing over 1st Position is that all these low draw notes can be bent down for effect and with practice will ultimately give you all the missing notes used in blues and country scales.
2nd Position is in a different key- When you play in the 2nd Position, you are no longer in the key of the harmonica, but actually in a key which is a perfect 5th (seven half-steps) up from the key of the harmonica.
You're playing your "C" harmonica in the key of "G"- If you play in 2nd Position on a key of "C" harmonica you will now be in the key of "G". This is the way most modern blues, rock, and country players will use the diatonic harmonica. Use the HarmonicaLesons.com Positions Chart to find the 2nd Position key for the 12 different keys of diatonics.
An easy shortcut to find the 2nd Position key- If your thumb is the key of the harmonica (which is the same as the 1st Position key), count through the alphabet and stop at your "little finger" for the 2nd Position key. For example, your thumb is "C" and your little finger would be "G" (key of 2nd Position on the "C" harmonica). Try it with a key of "D" harmonica, counting from thumb to little finger you should get the key of "A" for 2nd Position. Please note, in music, "A" follows "G". There is no "H" note (C-D-E-F-G-A-B-C-D-E-F-G-A-B, etc.)
To begin learning 2nd Position riffs and methods of improv- Visit the Basic Blues Improv section at HarmonicaLessons.com for blues riffs and information on improvising in the 2nd Position. A shortcut for simple blues jamming is found on the Beginners' Shortcuts page.
How to play the 2nd Position scales- Visit the HarmonicaLessons.com Scales page for more information and note tab on how to play the 2nd Position blues and country scales.
Dave explains the value of not just learning a scale up and down, but dividing it into smaller "bite-size" chunks, which can then be used as blues riffs.
